Part of
Unprecedented numbers of young people are in crisis today, and our health care systems are set up to fail them.
Breaking Points explores the stories of a diverse group of American young adults experiencing psychiatric hospitalization for psychotic symptoms for the first time and documents how patients and their families make decisions about treatment after their release. Approximately half of young people refuse mental-health care after their initial hospitalization even though better outcomes depend on early support.
In attempting to determine why this is the case, Neely Laurenzo Myers identifies what matters most to young people in crisis, passionately arguing that health care providers must attend not only to the medical and material dimensions of care but also to a patient’s moral agency.
“Reading the heartbreaking and heartwarming narratives in Breaking Points makes us more human and connected. I highly recommend it.” — LISA DIXON, Professor of Psychiatry, Columbia University Vagelos College of Physicians and Surgeons
“Through compassionate ethnographic storytelling, Neely Myers makes first-episode psychosis legible as a startling fissure in the young person’s quest for acceptance and autonomy. A must-read for scholars of youth culture, medicine, and mental health alike, Breaking Points exemplifies the anthropological nuances of holding space and listening deeply.” — ELIZABETH BROMLEY, Director, UCLA- DMH Public Mental Health Partnership, University of California, Los Angeles
“A beautifully written study of the complexity of first-episode psychoses that challenge youth, their friends and family, and care providers, Breaking Points is an indictment of the inadequacies of entire service systems.” — BYRON J. GOOD, Professor of Medical Anthropology, Harvard Medical School
NEELY LAURENZO MYERS is Professor of Anthropology and Director of the Mental Health Equity Lab at Southern Methodist University and author of Recovery’s Edge. She is also Editor in Chief of Culture, Medicine, and Psychiatry.
In Being Another Way, Dustin Klinger recounts the history of how medieval Arabic philosophers in the Islamic East grappled with the logical role of the copula “to be,” an ambiguity that has bedeviled Western philosophy from Parmenides to the analytic philosophers of today. Working from within a language that has no copula, a group of increasingly independent Arabic philosophers began to critically investigate the semantic role that Aristotle, for many centuries their philosophical authority, invested in the copula as the basis of his logic. Drawing on extensive manuscript research, Klinger breaks through the thicket of unstudied philosophical works to demonstrate the creativity of postclassical Islamic scholarship as it explored the consequences of its intellectual break with the past. Against the still widespread view that intellectual ferment all but disappeared during the period, he shows how these intellectuals over the centuries developed and refined a sophisticated philosophy of language that speaks to core concerns of contemporary linguistics and philosophy.
“Dustin Klinger’s study of medieval Arabic and Islamic views of the copula is remarkable on a number of counts: its historical range, the number of sources it incorporates, and its engagement with modern philosophical discussions of the analysis of propositions. It is a significant contribution to the field of Arabic-Islamic philosophy and logic.” — KHALED EL-ROUAYHEB, Jewett Professor of Arabic at Harvard University
“In this wide-ranging study, Klinger looks at an issue that was pivotal in both ancient Greek and medieval Arabic philosophy. An important contribution to the exciting fields of logic and the philosophy of language in the Islamic world.” PETER ADAMSON, Professor of Philosophy at LMU Munich
DUSTIN D. KLINGER is a British Academy International Fellow at the University of Cambridge. Previously, he held an Andrew W. Mellon Fellowship at Villa I Tatti and was a postdoctoral researcher at the University of Munich.
In God’s Other Book, Mohammad Salama presents a powerful critique of the ways we study and analyze early Islam and its sacred text, filling a glaring hole in our understanding of this formative environment. Interrogating the ideological framework of late antiquity, Salama exposes hidden assumptions that prevent scholars from truly placing Islam in its sociohistorical and cultural milieu. He offers an alternative theoretical and practical model focused on pre-Islamic Arabic cultural production. Foregrounding the indigenous Arab community of seventh-century Hijaz, Salama demonstrates how the Qurʼān played an organic role in commenting on, interacting with, and taking sides concerning matters of ethnicity, ethics, dress codes, and social habits. Only with renewed attention to the Qurʼān itself can Western readers engage ethically with Islamic studies and with the cultures and traditions of those who live according to another book.
“This book is bold, timely, and uncompromising, demanding to be read carefully for its erudite argument. Through ample evidence, a reimagined interpretive frame, and analytical acumen, Salama offers insights into the irony of Western scholarship on the Qurʼān: its effort to draw the Muslim scripture into a late antique landscape overlooks reading practices sensitive to the text’s agency and indigeneity.” — Asad Q. Ahmed, Magistretti Distinguished Professor of Middle Eastern Languages and Cultures at University of California, Berkeley
“In showing why the Qurʼān must be seen as an authentically Arabian and truly revolutionary literary accomplishment, Salama provides a welcome corrective to Euro-American Qurʼānic studies. A milestone in the field.” — Stefan Sperl, Professor Emeritus of Arabic and Middle Eastern Studies at SOAS, University of London
Mohammad Salama is Professor of Arabic and Qurʼanic Studies and Associate Dean for Faculty Affairs in the College of Humanities and Social Sciences at George Mason University.
Cancer Intersections is an ethnographic analysis of the complex and paradoxical efforts to access neoliberal, market-based oncological treatments in Colombia, a country where all patients are legally guaranteed access to medical services, including high-cost ones. Drawing on years of fieldwork in Cali, Camilo Sanz explores the deep entanglements between medical, legal, and policy practices that share a common goal of treating and curing cancer but are hindered by bureaucratic procedures, pernicious financial interests, and class politics. The interplay of these hurdles dictates the rhythm at which patients access treatment and, even in resource-rich settings, suffer due to market imperatives that shape how treatments unfold. Through careful and measured observation, Sanz shows how a neoliberal universal health care regime delays access to care for those reliant on public assistance, which means that some patients will start treatment only after it is unlikely to change the course of the disease.
“Essential reading for anyone who wants to understand why systems meant to save our lives end up killing us instead.” — SCOTT STONINGTON, author of The Spirit Ambulance: Choreographing the End of Life in Thailand
“A richly detailed and theoretically innovative ethnography that illuminates how neoliberal health care systems can undermine a legally guaranteed right to health care.” — AMY COOPER, author of State of Health: Pleasure and Politics in Venezuelan Health Care under Chávez
“This book has much to offer to anthropologists, clinicians, bioethicists, philosophers, and policymakers who want to understand how inequities are remade and reframed by market-based health care reforms.” — CÉSAR E. ABADÍA-BARRERO, author of Health in Ruins: The Capitalist Destruction of Medical Care at a Colombian Maternity Hospital
Camilo Sanz is Assistant Professor of Anthropology at the University of Oklahoma
Sequels, reboots, franchises, and songs that remake old songs—does it feel like everything new in popular culture is just derivative of something old? Contrary to popular belief, the reason is not audiences or marketing, but Wall Street. In this book, Andrew deWaard shows how the financial sector is dismantling the creative capacity of cultural industries by upwardly redistributing wealth, consolidating corporate media, harming creative labor, and restricting our collective media culture. Moreover, financialization is transforming the very character of our mediascapes for branded transactions. Our media are increasingly shaped by the profit-extraction techniques of hedge funds, asset managers, venture capitalists, private equity firms, and derivatives traders. Illustrated with examples drawn from popular culture, Derivative Media offers readers the critical financial literacy necessary to understand the destructive financialization of film, television, and popular music—and provides a plan to reverse this dire threat to culture.
“The thoughtful and thought-provoking chapters of Derivative Media feel like cave paintings that future generations will read long after we’ve perished in the flames of greed. A must-read for anyone working in the arts wanting to help humanity change course quickly!” — Martin Starr, actor, Freaks and Geeks and Silicon Valley
“The go-to account of our contemporary financialized culture. It will reshape media studies and give activists new tools to understand the dynamics of the now.” — J. D. Connor, author, Hollywood Math and Aftermath: The Economic Image and the Digital Recession
“This tour-de-force breakdown of financialization in the culture industries is essential reading for scholars and creative workers alike.” — Jennifer Holt, author, Empires of Entertainment: Media Industries and the Politics of Deregulation, 1980–1996
“A generational advance in the political economy of communication. I have been waiting for a book like this.” — Jonathan Sterne, author, MP3: The Meaning of a Format
Andrew deWaard is Assistant Professor of Media and Popular Culture at the University of California, San Diego.
In recent decades, many members of the public have come to see processed food as a problem that needs to be solved by eating “real” food and reforming the food system. But for many food industry professionals, the problem is not processed food or the food system itself, but misperceptions and irrational fears caused by the public’s lack of scientific understanding. In her highly original book, Charlotte Biltekoff explores the role that science and scientific authority play in food industry responses to consumer concerns about what we eat and how it is made. As Biltekoff documents, industry efforts to correct public misperceptions through science-based education have consistently misunderstood the public’s concerns, which she argues are an expression of politics. This has entrenched “food scientism” in public discourse and seeded a form of antipolitics, with broad consequences. Real Food, Real Facts offers lessons that extend well beyond food choice and will appeal to readers interested in how everyday people come to accept or reject scientific authority in matters of personal health and well-being.
“In this brilliant book, Charlotte Biltekoff deftly examines unexplored dimensions of the food wars and ultimately offers more nuanced thinking about science as the ultimate arbiter of fundamentally political decisions—a difficult but necessary challenge in a ‘post-truth’ world.” — Julie Guthman, author of The Problem with Solutions
“This is critical reading for scholars, consumers, and food industry professionals alike.” — Anna Zeide, author of Canned
“In lucid, accessible prose, Biltekoff employs the frames of Real Facts and Real Food to understand the twenty-first-century landscape of American food.” — Amy Bentley, Professor of Food Studies, New York University
Charlotte Biltekoff is Professor of American Studies and Food Science and Technology and Darrell Corti Endowed Professor in Food, Wine, and Culture, University of California, Davis. She is author of Eating Right in America: The Cultural Politics of Food and Health.
In the 1990s, India’s mediascape saw the efflorescence of edgy soft-porn films in the Malayalam-speaking state of Kerala. In Rated A, Darshana Sreedhar Mini examines the local and transnational influences that shaped Malayalam soft-porn cinema and maps the genre’s circulation among the Indian diaspora in the Middle East. She explores the soft-porn industry’s precarious labor structure, as well as how actresses and production personnel who are marked by their involvement with a taboo form navigate their social lives. By surveying the tense negotiations among sexuality, import policy, and censorship, this study offers a model for understanding film genres as entire fields of social relations and gendered imaginaries.
“A groundbreaking historical analysis that immediately joins the ranks of essential porn-studies texts.” — Peter Alilunas, author of Smutty Little Movies: The Creation and Regulation of Adult Video
“A model for future film scholars. The decade-long research that went into making this book is evident in its rich historical details, insightful conversations, and multisited fieldwork.” — Monika Mehta, author of Censorship and Sexuality in Bombay Cinema
“A formidably researched counterhistory of Indian cinema and a brilliantly synthetic work of adult-film history, Rated A dazzles with insight.” — Elena Gorfinkel, author of Lewd Looks: American Sexploitation Cinema in the 1960s
“Don’t be tempted to think you know porn if you see it. Mini’s analysis invites us to see soft-porn as a social construction that reflects the borders of sexual agency and gendered respectability.” — Vicki Mayer, author of Below the Line: Producers and Production Studies in the New Television Economy
“This remarkable book on the Malayalam-language soft-core porn industry of Kerala arrives as a bold feminist and ‘southern’ intervention in porn studies that is bound to animate conversations across disciplines.” — Bhaskar Sarkar, author of Mourning the Nation: Indian Cinema in the Wake of Partition
Darshana Sreedhar Mini is Assistant Professor of Film at the University of Wisconsin–Madison and coeditor of South Asian Pornographies: Vernacular Formations of the Permissible and the Obscene.
This book follows the production, transnational circulation, and reception of the highest grossing film in the history of Soviet exhibition, the 1971 Mexican romance Yesenia. The film adaptation of a telenovela based on a wildly popular graphic novel set during the Second Franco-Mexican War became a surprise hit in the USSR, selling more than ninety million tickets in the first year of its Soviet release alone. Drawing on years of archival research, renowned film scholar Masha Salazkina takes Yesenia’s unprecedented popularity as an entry point into a wide-ranging exploration of the cultures of Mexico and the Soviet Union in the 1970s and of the ways in which popular culture circulated globally. Paying particular attention to the shifting landscape of sexual politics, Romancing “Yesenia” argues for the enduring importance and ideological ambiguities of melodramatic forms in global popular media.
“No other scholar in the field could pull off this international tour de force. Masha Salazkina tells us that we should have known that the contemporary ‘global-popular’ is not new, setting the bar high for another generation of multilingual world culture critics.” — Jane M. Gaines, author of Pink-Slipped: What Happened to Women in the Silent Film Industry?
“What does film history look like when we bypass the Global North? This is the historiographic provocation at the heart of Romancing ‘Yesenia,’ a book that will serve as a model for transnational film histories to come. Offering an account of a transnational affective space, Salazkina challenges both the national allegorical readings of non-Western texts as well as the European literary and Hollywood film canon of melodrama studies.” — Nilo Couret, author of Mock Classicism: Latin American Film Comedy, 1930–1960
Masha Salazkina is Professor of Film Studies at Concordia University, Montreal. She is author of World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War and In Excess: Sergei Eisenstein’s Mexico.
In the late fifth century, a girl whose name has been forgotten by history was born at the edge of the Chinese empire. By the time of her death, she had transformed herself into Empress Dowager Ling, one of the most powerful politicians of her age and one of the first of many Buddhist women to wield incredible influence in dynastic East Asia. In this book, Stephanie Balkwill documents the Empress Dowager’s rise to power and life on the throne against the broader world of imperial China under the rule of the Northern Wei dynasty, a foreign people from Inner Asia who built their capital deep in the Chinese heartland.
Building on largely untapped Buddhist materials, Balkwill shows that the life and rule of the Empress Dowager is a larger story of the reinvention of religious, ethnic, and gender norms in a rapidly changing multicultural society. The Women Who Ruled China recovers the voices of those left out of the mainstream historical record, painting a compelling portrait of medieval Chinese society reinventing itself under the Empress Dowager’s leadership.
“This book is truly groundbreaking in its focus, theoretical contributions, and methodological innovations. Stephanie Balkwill’s deft treatment of Buddhism, gender, and ethnic difference in the Northern Wei court of Empress Dowager Ling will surely serve as a model for other scholars.” — Megan Bryson, author of Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China
“Balkwill’s penetrating scholarship greatly enlarges our understanding of two often-ignored and deeply intertwined aspects of rulership in East Asia: women and Buddhism. This book explores the powerful role that women played in Northern Wei politics and how Buddhism provided a new repertoire for enlarging their roles, especially in the more populist forms favored by the Empress Dowager. A revealing, thought-provoking read.” — Andrew Chittick, author of The Jiankang Empire in Chinese and World History
STEPHANIE BALKWILL is Assistant Professor of Chinese Buddhism in the Department of Asian Languages and Cultures at the University of California, Los Angeles, where she is also Associate Director of the Center for Buddhist Studies.
African cities are under construction. Beyond the urban redevelopment schemes and large-scale infrastructure projects reconfiguring central city skylines, urban residents are putting their resources into finding land and building homes on city edges. The Suburban Frontier examines how self-built housing on the urban periphery has become central to middle-class formation and urban transformation in contemporary Tanzania. Drawing on original research in the city of Dar es Salaam, Claire Mercer details how the “suburban frontier” has become the place where Africa’s middle classes are shaped. As the first book-length analysis of Africa’s suburban middle class, The Suburban Frontier offers significant contributions to the study of urban social change in Africa and urbanization in the Global South.
“Claire Mercer tells a story about the transformation of Dar es Salaam’s periphery that is being replicated everywhere in Africa. The gates and walls of the houses in these communities do not merely speak to a desire for safety; they are also a cipher for intense dreams and aspirations. This book will resonate well beyond its immediate audience.” — Ato Quayson, author of Oxford Street, Accra: City Life and the Itineraries of Transnationalism
“Mercer traces access to land in Dar es Salaam from the colonial era to the independence era, when an entrepreneur class of new urbanites has driven the city outwards at supersonic speed. The moving of the frontier is an unending episode, which makes the book extremely interesting to read.” — J. M. Lusugga Kironde, Professor, Urban Economics and Management, Ardhi University, Dar es Salaam
“The Suburban Frontier is a major intervention concerning debates on the African city, arguing that class is not an a priori category, but instead a process.” — Jason Sumich, author of The Middle Class in Mozambique: The State and the Politics of Transformation in Southern Africa
CLAIRE MERCER is Professor of Human Geography at the London School of Economics.
Expanding Verse explores experimental poetic practice at key moments of transition in Japan’s media landscape from the 1920s to the present. Andrew Campana centers hybrid poetic forms in modern and contemporary Japan—many of which have never been examined in detail before: the cinepoem, the tape-recorder poem, the protest performance poem, the music-video poem, the online sign-language poem, and the augmented-reality poem. Drawing together approaches from literary, media, and disability studies, he contends that poetry actively aimed to disrupt the norms of media in each era. For the poets in Expanding Verse, poetry was not a medium in and of itself but a way to push back against what new media technologies crystallized and perpetuated. Their aim was to challenge dominant conceptions of embodiment and sensation, as well as who counts as a poet and what counts as poetry. Over and over, poetic practice became a way to think about each medium otherwise, and to find new possibilities at the edge of media.
Mal-Nutrition documents how maternal health interventions in Guatemala are complicit in reproducing poverty. Policymakers speak about how a critical window of biological growth around the time of pregnancy—called the "first 1,000 days of life"—determines health and wealth across the life course. They argue that fetal development is the key to global development. In this thought-provoking and timely book, Emily Yates-Doerr shows that a focus on prenatal health is a paradigmatic technique of American violence through which the control of mothering serves to control the reproduction of privilege and power. Presenting the powerful stories of Guatemalan scientists, midwives, and mothers, she illustrates their efforts to counter the harms of mal-nutrition, offering a window into a form of nutrition science and policy that encourages collective nourishment and fosters reproductive cycles in which women, children, and their entire communities can flourish.
Why are the small and unimportant relics of Roman antiquity often the most enduring, in both material form and our affections? Through close encounters with minor things such as insects, brief lives, quibbles, irritants, and jokes, Emily Gowers provocatively argues that much of what the Romans dismissed as superfluous or peripheral in fact took up immense imaginative space. There is much to learn from what didn’t or shouldn’t matter. It was often through the small stuff that the Romans most acutely probed and challenged their society’s overarching values and priorities and its sense of proportion and justice. By marking the spots where the apparently pointless becomes significant, this book radically adjusts our understanding of the Romans and their world, as well as our own minor feelings and intimate preoccupations.
Over the past few decades, scholars have traced how Indian Ocean merchants forged transregional networks into a world of global connections. East Africa's crucial role in this Indian Ocean world has primarily been understood through the influence of coastal trading centers like Mombasa. In Inland from Mombasa, David P. Bresnahan looks anew at this Swahili port city from the vantage point of the communities that lived on its rural edges. By reconstructing the deep history of these Mijikenda-speaking societies over the past two millennia, he shows how profoundly they influenced global trade even as they rejected many of the cosmopolitan practices that historians have claimed are critical to creating global connections, choosing smaller communities over urbanism, local ritual practices over Islam, and inland trade over maritime commerce. Inland from Mombasa makes the compelling case that the seemingly isolating alternative social pursuits selected by Mijikenda speakers were in fact key to their active role in global commerce and politics.
Japan is a nation saddled with centuries of accumulated stereotypes and loaded assumptions about suicide. Many pronouncements have been made about those who have died by their own hand, without careful attention to the words of the dead themselves. Drawing upon far-ranging creations by famous twentieth- and twenty-first-century Japanese artists and little-known amateurs alike—such as death poems, suicide notes, memorials, suicide maps and manuals, works of literature, photography, film, and manga—Kirsten Cather interrogates how suicide is scripted and to what end. Entering the orbit of suicidal writers and readers with care, she shows that through close readings these works can reveal fundamental beliefs about suicide and, just as crucially, about acts of writing. These are not scripts set in stone but graven images and words nonetheless that serve to mourn the dead, straddling two impulses: to put the dead to rest and to keep them alive forever. These words reach out to us to initiate a dialogue with the dead, one that can reveal why it matters to write into and from the void.
Based on more than a decade of ethnographic research, The Fourth Invasion examines an Ixil Maya community’s movement against the construction of one of the largest hydroelectric plants in Guatemala. The arrival of the Palo Viejo hydroelectric plant (built by the Italian corporation Enel Green Power) to the municipality of Cotzal highlighted the ongoing violence inflicted on Ixils by outsiders and the Guatemalan state. Locals referred to the building of the hydroelectric plant as the “new invasion” or “fourth invasion” for its similarity to preceding invasions: Spanish colonization, the creation of the plantation economy, and the state-led genocide during the Guatemalan armed conflict. Through a historical account of cyclical waves of invasions and resistance in Cotzal during the four invasions, Giovanni Batz argues that extractivist industries are a continuation of a colonial logic of extraction based on the displacement and destruction of Indigenous Peoples' territories and values that has existed since the arrival of the Spanish in 1524. The current movements in Cotzal, rooted in a long history of resistance, counter dominant narratives of Indigenous Peoples that often portray them as “conquered.”
After the deaths of Antony and Cleopatra, Rome finally took control of Egypt. This occupation simultaneously facilitated and circumscribed the exchange of goods, people, and ideas along the paths carved by Rome’s burgeoning empire. In this book, Edward Kelting sets out to recapture one of these systems of exchange: the vibrant literary tradition known as Aegyptiaca—or “Egyptian Things”—in which culturally mixed authors wrote about Egypt for a Greek and Roman audience. These authors have been dismissed as not really “Egyptian,” and their contemporary popularity has been ignored, but as the author powerfully argues, this genre in fact constitutes a vibrant intellectual tradition, developed from heterogenous influences but deeply engaged with Egypt’s pharaonic past. In contrast to usual narratives of Roman domination, Kelting uncovers a complex project of political engagement and cultural translation in which Egyptians, Greeks, and Romans all participated.
At once theoretically sophisticated and poignantly written, Constructed Movements centers stories from communities in Mexico profoundly affected by emigration to the United States to show how migration extracts resources along racial lines. Ragini Shah chronicles how three interrelated dynamics—the maldistribution of public resources, the exploitation of migrant labor, and the US immigration enforcement regime—entrench the necessity of migration as a strategy for survival in Mexico. She also highlights the alternative visions elaborated by migrant community organizations that seek to end the conditions that force migration. Recognizing that reform without recompense will never right an unjust migratory system, Shah concludes with a forceful call for the US and Mexican governments to make abolitionist investments and reparative compensation to directly counteract this legacy of extraction.
Intersectional Incoherence stages an encounter between the critical discourse on intersectionality and texts by Korean subjects of the Japanese empire and their postwar descendants in Japan, known as Zainichi Koreans. Arguing for intersectionality as a reading method rather than strictly a tool of social analysis, Cindi Textor reads moments of illegibility and incoherent language in these texts as a confrontation between the pressures on Zainichi Koreans and their literature to represent both Korean difference from and affinity with Japan. Rejecting linguistic norms and representational imperatives of identity categories, Textor instead demands that the reader grapple with the silent, absent, illegible, or unintelligible. Engaging with the incoherent, she argues, allows for a more ethical approach to texts, subjects, and communities that resist representation within existing paradigms, such as those of Korean descent in Japan.
This groundbreaking collection of essays from leading film historians features original research on movie magazines published in China, France, Germany, India, Iran, Latin America, South Korea, the U.S., and beyond. Vital resources for the study of film history and culture, movie magazines are frequently cited as sources, but rarely centered as objects of study. Global Movie Magazine Networks does precisely that, revealing the hybridity, heterogeneity, and connectivity of movie magazines and the important role they play in the intercontinental exchange of information and ideas about cinema. Uniquely, the contributors in this book have developed their critical analysis alongside the collaborative work of building digital resources, facilitating the digitization of more than a dozen of these historic magazines on an open-access basis.
Emergency in Transit responds to the crisis framings that dominate migration debates in the global north. This capacious, interdisciplinary study reformulates Europe's so-called "migrant crisis" from a sudden disaster to a site of contested witnessing, where competing narratives threaten, uphold, or reimagine migrant rights.
Focusing on Italy, a crucial port of arrival, Eleanor Paynter draws together testimonials from ethnographic research—alongside literature, film, and visual art—to interrogate the colonial, racial logics that inform emergency responses to migration. She also examines the media, discourses, policies, and practices that shape lived experiences of migration well beyond international borders. Centering the witnessing of Black Africans in Italy, Emergency in Transit reveals how this emergency apparatus operates and posits a vision of mobility that refutes the notions of crisis so often imposed on those who cross the Mediterranean Sea.
In the aftermath of Hurricane Katrina, the New Orleans public school board fired nearly 7,500 teachers and employees. In the decade that followed, the city created the first urban public school system in the United States to be entirely contracted out to private management. Veteran educators, collectively referred to as the "backbone" of the city's Black middle class, were replaced by younger, less experienced, white teachers who lacked historical ties to the city. In A Burdensome Experiment, Christien Philmarc Tompkins argues that the privatization of New Orleans schools has made educators into a new kind of racialized worker. As school districts across the nation backslide on school integration, Tompkins asks, who exactly deserves to teach our children? The struggle over this question exposes the inherent anti-blackness of charter school systems and the unequal burdens of school choice.
The first book to draw a direct line between the datafication and prediction techniques of past eugenicists and today’s often violent and extractive “big data” regimes.
Predatory Data illuminates the throughline between the nineteenth century’s anti-immigration and eugenics movements and our sprawling systems of techno-surveillance and algorithmic discrimination. With this book, Anita Say Chan offers a historical, globally multisited analysis of the relations of dispossession, misrecognition, and segregation expanded by dominant knowledge institutions in the Age of Big Data.
While technological advancement has a tendency to feel inevitable, it always has a history, including efforts to chart a path for alternative futures and the important parallel story of defiant refusal and liberatory activism. Chan explores how more than a century ago, feminist, immigrant, and other minoritized actors refused dominant institutional research norms and worked to develop alternative data practices whose methods and traditions continue to reverberate through global justice-based data initiatives today. Looking to the past to shape our future, this book charts a path for an alternative historical consciousness grounded in the pursuit of global justice.
For decades, scholars have examined the Mughal Empire, South Asia’s largest and most powerful pre-colonial empire, to measure the greatness of its political, ideological, and cultural institutions. Between Household and State departs from dynastic narrations of the Mughal past to highlight the role of elite households and familial networks in shaping imperial power, particularly in peninsular India, the only region of the subcontinent never fully incorporated into the imperial realm.
Drawing on rare documentary and literary materials in Persian and Urdu alongside the Dutch East India Company’s archives, this book takes us on a journey from military forts and regional courts in the Deccan to the weaving villages of the Coromandel Coast to examine how regional elite alliances, feuds, and material exchanges intersected with imperial institutions to create new forms of affinity, belonging, and social exclusion. Between Household and State brings attention to the importance of ghar—or home—as an analytical framework for the creation of mobile forms of sovereignty that anchored the Mughal frontier across the variable geography of peninsular India in the seventeenth century.
DNA, Race, and Reproduction helps readers inside and outside of academia evaluate and engage with the current genomic landscape. It brings together expertise in law, medicine, religion, history, anthropology, philosophy, and genetics to examine how scientists, medical professionals, and laypeople use genomic concepts to construct racial identity and make or advise reproductive decisions, often at the same moment. It critically and accessibly interrogates how DNA figures in the reproduction of racialized bodies and the racialization of reproduction and examines the privileged position from which genomic knowledge claims to speak about human bodies, societies, and activities. The volume begins from the premise that reproduction, regardless of the means, forces a confrontation between biomedical, scientific, and popular understandings of genetics, and that those understandings are often racialized. It therefore centers reproduction as both a site of analysis and an analytic lens.
As HIV/AIDS emerged as a public health crisis of significant proportions across much of sub-Saharan Africa, it became the subject of local and international interest—prurient, benevolent, and interventionist. Meanwhile, the experience of Africans living with HIV/AIDS became an object of aesthetic representation in multiple genres by Africans themselves. These cultural representations engaged public discourse—the public policy pronouncements of officials of postcolonial states, an emerging global NGO-speak, and journalism. In Pandemic Genres, Neville Hoad investigates how cultural production—novels, poems, films—around the pandemic supplemented public discourse. From Botswana, Kenya, and South Africa, he shows that the long historical imaginaries of race, empire, and sex underwrote all attempts to bring the pandemic into public representation. Attention to genres that stage themselves as imaginary, particularly on the terrain of feeling, may forecast possibilities for new figurations.
Though Japanese migration to Brazil only started at the turn of the twentieth century, Brazil is now the country with the largest ethnic Japanese population outside of Japan. Collaborative Settler Colonialism examines this history as a central chapter of both Brazil's and Japan's processes of nation and empire building, and, crucially, as a convergence of their settler colonial projects. Inspired by American colonialism and the final conquest of the U.S. Western frontier, Brazilian and Japanese empire builders collaborated to bring Japanese migrant workers to Brazil, which had the intended outcome of simultaneously dispossessing indigenous Brazilians of their land and furthering the expansion of Japanese land and resource possession abroad. Bringing discourses of Latin American and Japanese settler colonialism into rare dialogue with each other, this book offers new insight into understanding the Japanese empire, the history of immigration in Brazil and Latin America, and the past and present of settler colonialism.
Focusing on the lived experiences of Afro-Colombians processing and resisting violence against their ecological communities, Visions of Global Environmental Justice employs accounts of the supernatural narratively and analytically to frame a contemporary struggle for environmental justice. The book applies Achille Mbembe’s theorization of necropolitics to the environmental racism of the US War on Drugs in Colombia, specifically the aerial eradication of coca in the comunidades negras of the Pacific Coast. Through critical examination and deconstruction of transnational mythmaking and local oral tradition, Visions of Global Environmental Justice illustrates that non/humans rendered expendable by US-driven drug (necro)politics are indispensable to both the conceptualization and the realization of environmental justice globally. Far from being a study singularly focused on the symptoms of environmental issues, this book creatively guides us toward a broader understanding of environmental racism and justice across geographic scales and non/human agencies.
The Violence of Love challenges the narrative that adoption is a solely loving act that benefits birth parents, adopted individuals, and adoptive parents—a narrative that is especially pervasive with regard to transracial and transnational adoptions. Using interdisciplinary methods of archival, legal, and discursive analysis, Kit W. Myers comparatively examines the adoption of Asian, Black, and Native American children by White families in the United States. Showing how race has been constructed relationally to mark certain homes, families, and nations as spaces of love, freedom, and better futures—in contrast to others that are not—he argues that violence is attached to adoption in complex ways. Propelled by different types of love, such adoptions attempt to transgress biological, racial, cultural, and national borders established by traditional family ideals. Yet they are also linked to structural, symbolic, and traumatic forms of violence. The Violence of Love confronts this discomfiting reality and rethinks theories of family to offer more capacious understandings of love, kinship, and care.
Although the history of Indonesian music has received much attention from ethnomusicologists and Western composers alike, almost nothing has been written on the interaction of missionaries with local culture. This study represents the first attempt to concentrate on the musical dimension of missionary activities in Indonesia. In fourteen essays, a group of distinguished scholars show the complexity of the topic: while some missionaries did important scholarship on local music, making recordings and attempting to use local music in services, others tried to suppress whatever they found. Many were collaborating closely with anthropologists who admitted freely that they could not have done their work without them. And both parties brought colonial biases into their work. By grappling with these realities and records, this book is a collective effort to decolonize the project of making music histories.
Delta Futures explores the competing visions of the future that are crowding into the Bengal Delta's imperiled present and vying for control of its ecologically vulnerable terrain. In Bangladesh's southwest, development programs that imagine the delta as a security threat unfold on the same ground as initiatives that frame the delta as a conservation zone and as projects that see the delta's rivers and ports as engines for industrial growth. Jason Cons explores how these competing futures are being brought to life: how they are experienced, understood, and contested by those who live and work the delta, and the often surprising entanglements they engender—between dredgers and embankments, tigers and tiger prawns, fishermen and forest bandits, and more. These future visions produce the delta as a "climate frontier," a zone where opportunity, expropriation, and risk in the present are increasingly framed in relation to disparate visions of the delta's climate-affected future.
