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Results: 153
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Monograph
Voices of Labor
Michael Curtin, Kevin Sanson
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Monograph
Almost Hollywood, Nearly New Orleans
Vicki Mayer
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Monograph
Mobile Hollywood
Kevin Sanson
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Monograph
Rated A
Darshana Sreedhar Mini
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Edited Volume
Global Movie Magazine Networks
Kelley Conway, Eric Hoyt (eds.)
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Monograph
Ink-Stained Hollywood
Eric Hoyt
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Monograph
Hokum!
Rob King
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Monograph
Romancing “Yesenia”
Masha Salazkina
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Monograph
Sirens of Modernity
Samhita Sunya
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Monograph
Parameters of Disavowal
Jinsoo An
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Edited Volume
Precarious Creativity
Michael Curtin, Kevin Sanson, Michael Curtin, Kevin Sanson (eds.)
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Monograph
Scripting Suicide in Japan
Kirsten Cather
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Monograph
Cinematic Independence
Noah Tsika
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Monograph
Producing Feminism
Jennifer S. Clark
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Monograph
The Divo and the Duce
Giorgio Bertellini
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Monograph
Celluloid Democracy
Hieyoon Kim
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Monograph
Maverick Movies
Daniel Herbert
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Monograph
Where Truth Lies
Kris Fallon
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Monograph
Frame by Frame
Hannah Frank
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Monograph
World Socialist Cinema
Masha Salazkina
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Monograph
Cold War Cosmopolitanism
Christina Klein
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Monograph
Togo Mizrahi and the Making of Egyptian Cinema
Deborah A. Starr
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Monograph
Beyond the Movie Theater
Gregory A. Waller
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Monograph
Beyond the Movie Theater
Gregory A. Waller
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Monograph
Revolutionary Bodies
Emily Wilcox
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Monograph
Transnational Trailblazers of Early Cinema
Victoria Duckett
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Monograph
Acquired Alterity
Edward Mack
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Monograph
The Celluloid Specimen
Benjamín Schultz-Figueroa
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Monograph
Pious Labor
Amanda Lanzillo
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Monograph
God’s Other Book
Mohammad Salama
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Monograph
Brought to Life by the Voice
Amanda Weidman
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Monograph
At the Edges of Sleep
Jean Ma
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Monograph
Political Moods
Travis Workman
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Monograph
To Be an Actress
Yiman Wang
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Monograph
Placing Empire
Kate McDonald
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Monograph
Language, Nation, Race
Atsuko Ueda
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Monograph
Possible Histories
Charlotte Karem Albrecht
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Monograph
Instruments for New Music
Thomas Patteson
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Monograph
Modernizing Composition
Garrett Field
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Edited Volume
Thinking with an Accent
Pavitra Sundar, Ragini Tharoor Srinivasan, Akshya Saxena, Pooja Rangan (eds.)
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Monograph
Emergency in Transit
Eleanor Paynter
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Monograph
Imperial Genus
Travis Workman
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Monograph
Amphibious Subjects
Kwame Edwin Otu
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Anonymous, studio production executive
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Prologue: I’m Just a Film Tax Credit
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Hollywood South: Structural to Visceral Reorganizations of Space
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The Making of Regional Film Economies: Why La. Is Not L.A.
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The Place of Treme in the Film Economy: Love and Labor for Hollywood South
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Stephen Burt, production manager
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David Minkowski, service producer
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Film Appreciation: The Steady Rear Guard of Taiwanese Film Culture
James Udden
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Derivative Film and Brandscape Blockbusters
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Introduction: Presenting Hollywood South
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The Production of Global Ōmi Shōnin
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Lauren Polizzi, art director
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Belle Doyle, location manager
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Wartime Film Stardom and Global Leadership
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Conclusion: Legends of the Film Industry
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Adam Goodman, service producer
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Remaking Film Journalism in the Mid-1910s
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Mara Brock Akil, showrunner
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The Illustrated Popular Film Magazine Neue Filmwelt (1947–1953): A Complex Stimulator of a New German Film Culture
Vincent Fröhlich
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Film Culture, Sound Culture: Setting, Cinematography, and Sound
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Making Hollywood Mobile: Elastic Production Geographies and Irrational Labor
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Enugu in Technicolor: Independent Production in Late-Colonial Nigeria
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Wesley Hagan, location manager
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From Lab to Classroom: Animal Testing and Educational Film
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African Film Criticism in the Colonial Capital, 1957–1967
Rachel Gabara
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Dusty Kelly, union official
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Under the Banner of Nationalism: The Changing Imagery of Anticolonial Leadership
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The Manchurian Action Film: A New Anticolonial Imaginary in the Cold War Context
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Cinéma and the Vitality of Mid-century French Film Culture
Kelley Conway
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Film and the Waesaek (“Japanese Color”) Controversies of the 1960s
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Conclusion. Difference and Diversity: The Expanding Horizons of Transnational Film
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The Divo, New-Style Heavy
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Baloch Musical Repertoires and Culture Production in the Post-Maritime Gulf Metropolis
George Mürer
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Here to Help: Service Producers and the Labor of Film Friendliness
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Steve Nelson, sound recordist
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Chronicling a National History: Hye Bossin’s Canadian Film Weekly and Year Book
Paul S. Moore
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Beyond the Marginalization of Women: Khaidu as a Feminist Experimental Film Collective
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At the Margins of Freedom: A Day Off (1968) and Film Censorship
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Toward a New Cinema: The Seoul Film Collective’s Aesthetic and Political Subversion
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Academic Navel-Gazing: Debating Globalization as the Planet Burns
Eve Darian-Smith
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Latin American Cine Club Magazines: Nodes in Mid-century Networks of Film Culture
Rielle Navitski
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From Paris to the World: Pour Vous and French Film Culture, 1928–1940
Eric Smoodin
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Hands-On Cinema: Film und Lichtbild (1912–1914) and the Promise of Amateur Science
Michael Cowan
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“Children in the Wind”: Reexamining the Golden Age of Childhood Film in Wartime Japan
Harald Salomon
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Compilation, Collage, and Film Publishing in 1950s–1960s Iran: Setāreh-ye Sinemā (Cinema Star)
Kaveh Askari, Babak Tabarraee
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Steve Kaplan, union official
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“Take a Film Where It Will Be Most Appreciated”: The First Decade of New Line Cinema
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Searching for Similarity: Computational Analysis and the US Film Industry Trade Press of the Early 1920s
Sam Hansen, Lesley Stevenson, Ben Pettis, Eric Hoyt
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Mary Jane Fort, costume designer
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Introduction: “Nothing Like Going to an Authority!”
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The Après Girl: Character and Plot
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Networked Audiences: MoveOn.org and Brave New Films
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Chapter from Hokum!
Introduction: Keyword: Hokum
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The Multiplication of Traces: Xerographic Reproduction and One Hundred and One Dalmatians
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Animation and Montage: Or, Photographic Records of Documents
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A View of the World: Toward a Photographic Theory of Cel Animation
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Stephen Lighthill, cinematographer
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Persian and Turkic from Kazan to Tobolsk: Literary Frontiers in Muslim Inner Asia
Devin DeWeese
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Conclusion: The Labor of Looking
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Popular Sovereignty, Public Opinion, and the Presidency
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Tom Schulman, screenwriter
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Mariana Acuña-Acosta, VFX artist
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Coping with Poverty and Famine: Material Welfare, Public Goods, and Chinese Approaches to Governance
R. Bin Wong
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Post-Truth Politics: Conspiracy Media and the Specter of “Fake News”
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Conclusion: Toward an Understanding of Erotics
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Technology, Transparency, and the Digital Presidency
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Forests as Commons in Early Modern China: An Analysis of Legal Cases
Yoshiyuki Aihara
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Dispossession and Bottling after the Revolution
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Lords’ Forestry for People’s Basic Needs: Evidence from Prussia’s Royal Domains and Forests during the Eighteenth and Nineteenth Centuries
Takashi Iida
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Consumer Consumption for Children: Conceptions of Childhood in the Work of Taishō-Period Designers
Jinnō Yuki
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The Geobodies within a Geobody: The Visual Economy of Race Making and Indigeneity
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Horror and Revenge: Return of the Repressed Colonial Violence
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Consumer Culture and the Black Market: Mise-en-Scène
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Pars Pro Toto: Character Animation and the Work of the Anonymous Artist
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A Commitment to Showmanship: Spectacle
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Nationalist Thought and the Sri Lankan World
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Cross-Strait Economic Relations and China’s Rise: The Case of the IT Sector
Tse-Kang Leng
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The Ballyhooed Art of Governing Romance
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“I am Satyabhama”: Constructing Hegemonic Brahmin Masculinity in the Kuchipudi Village
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“ . . . And my heart screams”: Children and the War of Emotions
Sabine Frühstück
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Ugly Intellectuals Everywhere
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Chapter from Hokum!
“The Cuckoo School”: Humor and Metropolitan Culture in 1920s America
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Consolidating the Household across the 1945 Divide
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Tangled Up in Red: Textiles, Trading Posts, and Ethnic Bifurcation in Taiwan
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Chapter from Hokum!
“I Want Music Everywhere”: Music, Operetta, and Cultural Hierarchy at the Hal Roach Studios
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National Leader, International Actor